Friday, 7 June 2024

REVIEW OF “ACT YOUR AGE” PLAYS AND PERFORMANCES

NORTH CUMBRIA SCRIPTWRITERS

REVIEW OF “ACT YOUR AGE” PLAYS AND PERFORMANCES

JUNE 24


At last, this year North Cumbria Scriptwriters was able to recommence its competition, open to all wannabe writers, following the pandemic.

And what a response! Twenty-seven entries which had to be reduced to six.

A hard task but a worthwhile one as the six selected for performance in April this year at Keswick’s Theatre by The Lake and Penrith Playhouse gave a wide range of styles and subject matter. An AI carer, a ‘weed’ growing grandmother, and a Hendrix fan with little knowledge of geography, entertained at both venues successfully to appreciative audiences. More serious subjects were tackled, including climate change, which also made an impact.


NCS very much recognise and appreciate the effort put in by the directors, the actors and the theatre staff who put themselves forward to ensure the words of the writers come to life on the stage.


It was a successful event from the conception of the Act Your Age theme to the final performance, more than enough to encourage us to run a new competition in 2026. Again our thanks to all concerned.

If you were in the audience and would like to comment, or if you are interested in writing scripts for performance, then please contact us on Northcumbriascriptwriters@gmail.com . Our meetings can be fun! 

Saturday, 11 March 2023

What Makes a Great Protagonist?

 “A compelling protagonist is one who feels like a real person to the reader; it's as simple (and as difficult) as that.”  - Layla AlAmmar, author of the novel Silence is a Sense.

Protagonists are just like you and me. 

John Mclane in Die Hard is just a policeman on his way to visit his estranged wife and their kids on Christmas eve. Before the chaos unfolds we see his struggle; to keep his wife, to see his children, to have possibly his last Christmas with them as a family. We already like him before he starts fighting the bad guys and saving the day. 

That's what a good protagonist looks like. 

They are usually flawed in some way, just like us, and their struggle to make it through the story that unfolds is what makes them relatable. But it's not quite as simple as just making them the same as us; they have to save the day in a way that's not too easy, their character has to act and react in a way that still makes us like them at the end. 

Batman never kills the baddies. That's his thing.  He could be completely unrelatable; he is a billionaire with all the tech and gadgets, after all. Not many of us have a mansion and all-singing-all dancing car. But he has a heart. And we love him for it. 

We may not always agree with the actions our beloved protagonists take, but we must want them to succeed, because there's something about them that we like. It is their actions that drive the story after all, their problems that need to be solved. 

John Mclane had to act because his wife was being held hostage. If she wasn't there, he might still have saved the day, but he would have had nothing to lose. He did it all for her, and we all like to believe we would fight off terrorists and Hans Gruber for the ones we love, so we relate to him more. 

Our protagonists know what they want, and they drive the story from beginning to end just to get it, stopping at nothing to achieve their goal. I don't know about you, but I think I definitely need to be a bit more of a protagonist! 

Saturday, 25 February 2023

NEW WRITER? Read this!


If you're interested in entering our ACT YOUR AGE competition, but don't know where to start, keep reading. 
 


 "Ideas are all around us, in the people you meet, in the things you read and see and hear and experience, in your own childhood and family, in the wilder reaches of your imagination." - Kate Pullinger, The Guardian. 


The hardest part of writing is beginning; putting that first word down on paper (or on screen). Is it the right word? Is it a good start? What's my second word going to be? 

It all starts with an idea. Whether a fully formed story, or a half-baked thought stream which you hope might blossom into something magnificent. But how do you turn that idea into a script that can be staged? Well, here's a few tips this writer has found useful over the years - and you might too. 

1. Write your idea down.

Don't dive right into the script part straight away. Jot down your idea. who are your characters? who is your main character? What do they want to achieve in the short amount of time that we will know them? They've always got to have a goal, that's what drives the story forward; it's what we as the audience are hoping that they achieve.

2. Pace out your story.

What is going to happen at the start, in the middle and at the end? Quite a lot of Pixar films start out in the same way for example; the hero is going about their normal business, then out of nowhere, their lives change and their journey begins. 

But then what? We need things to happen to this character to show us what kind of person they are - are they brave, foolish, or creative? When things start to get difficult for them (as things should in any good story) how will they react and get themselves through? 

How will it end? You ought to have at least a bit of an idea where you are going with the story, and where it might end. Will your character achieve their goal? Will it be a happy or sad (or ambiguous) ending? Knowing where you'll end up keeps your writing focussed and stops you deviating too much from the main story. Of course if you get halfway through and realise you want to end a different way, then go ahead, we all love a twist!

3. Start writing

Eventually you'll have to put pen to paper, or fingers to keyboards, and start writing. My advice is just to write. don't stop and correct your mistakes, just go for it. let the story flow out and don't think about it too much. That's what editing is for. This time is for raw ideas flowing out in whatever order they occur to you. get yourself a quiet room with minimal interruptions and let go! 

4. Keep writing

After a while, you might notice steam coming from your ears or your fingers hurting like they've run a marathon. This is all perfectly normal writer stuff. Make yourself a cuppa and CARRY ON! it might be tempting at this point to re-read what you've done and get disheartened that you think it isn't any good. DON'T DO IT! Just keep writing. you can correct any errors later on. You know what you can't correct? A BLANK PAGE! 

5. When you've finished writing, stop. 

THE END. 

Phew, you've made it to the end. Your character has completed their journey. You've laughed, you've cried and you've somehow lost a whole day somewhere. 

Now's the time to get up, take a stretch, and walk away.

Let the dust settle. Then, when you've totally forgotten about it, read your play through again with fresh eyes. You might notice things that need changing or spelling mistakes you made. Read it to someone else. See what they think. Edit and amend until you have a polished script.

6. SEND IT TO US!

What is writing for if not to share with others and get it performed? Now you've put in the effort, you might as well. And where better to send it than to us! Follow the link below to show us what you've got. GOOD LUCK! (We believe in you❤️)

SUBMIT HERE!




Monday, 24 October 2022

Spotlight on - JOHN PEEL THEATRE, WIGTON

Where is it?

Station Road
Wigton
Cumbria
CA7 9BA

What does it do? 

From their website: "We have been entertaining audiences in Wigton for seventy years. We present a variety of live entertainment, including comedy, drama, classics, variety, and live music. We run drama, script writing and speech classes and involve many members of the community, both on and off stage, behind the scenes and in front of house."

Facilities:

  • Proscenium Arch Auditorium
  • 90 seats
  • Wheelchair Accessible
  • Induction Loop available
  • Fully Licensed Bar
  • Ice-Creams
  • Real Coffee
Check them out: https://www.wigtontheatre.org/

Sunday, 2 October 2022

What's New on the Web - Competitions

 A really good way to test your writing and get inspired, is through competitions. Lots of our members apply to competitions as a way to hone their skills and, well, let's be honest - see if they can win! 

There are lots of sites out there that advertise competitions in a variety of different mediums, for example the BBC have their own space for all manner of writing competitions. Check it out below:

https://www.bbc.co.uk/writersroom/opportunities/

Another place which multiple opportunities is a site called COVERFLY. These tend to be call outs for film scripts or varying length, but they do often cater to different genres and styles of writing. Take a look:

https://writers.coverfly.com/competitions

For those more into fiction and poetry, WRITER'S HQ looks to have a wide variety to choose from. 

https://writershq.co.uk/writing-resources/writing-competitions-and-submission-opportunities/


You might notice that a number of these charge £££ to enter, but there are some free ones there too. It's also not an exclusive list, there are MANY sites and sources to choose from. Let us know your favourite!

(P.S. we were not endorsed by any of these sites, they're just ones which work for us)

Sunday, 21 August 2022

 We Are Back! 

Since 2021 we have been Zooming in the background keeping our group alive, having meetings and sharing our work. 

Going forward, we have decided to have hybrid meetings in Keswick with a very nifty speaker setup for those not able to come to face to face meetings. This was decided as the best way to continue as North Cumbria Scriptwriters as we have some members living away and some who struggle to get to the meetings. 

Through the winter we are likely to revert to wholly online meetings because who wants to come all that way in a Cumbrian Winter?!

We are in the process of organising one of our famous SCRIPTWRITING COMPETITIONS, so stay tuned! 

Tuesday, 24 March 2020

Next Meeting:

We are now meeting only online the last Thursday of the month (except December) from 7:30pm.

Email us for more info: northcumbriascriptwriters@gmail.com (please note this email address is infrequently monitored)

Wednesday, 19 September 2018

Picture the Scene - ADDITIONAL DATE ANNOUNCED!

The 3 winning plays in this year's competition - Picture the Scene - will also be shown at the Penrith Playhouse at 7.30 pm on FRIDAY, 20th October 2018.

Tickets are available from:

http://penrithplayers.org.uk

This date is in addition to the original performance at Theatre by the Lake, Keswick at 7.30pm on SATURDAY, 20th October 2018.

Tickets available from:

https://www.theatrebythelake.com

Wednesday, 8 August 2018

Collaborations with Penrith Players

North Cumbria Scriptwriters are busy developing short plays for Penrith Players.  Approached by Mike Head, our group has been asked again to submit scripts for a forthcoming local tour.

Mike is also planning to produce a play based on The Mandrake by Machivelli, written during the Renaissance and set in Florence.  However, the task is to write a new script, based on the original premise, but set in Cumbria!  The project will involve a team of writers from NCS working together and in collaboration with Mike Head and Penrith Players. 

Tuesday, 17 July 2018

Connect Three at Theatre by the Lake

Following the success at the Derwent Water Regatta on 7&8 July, the Elders' company performed all 4 plays written by Members of NCS in the Studio at Theatre by the Lake (TBTL) on Sunday, 15 July.

An appreciative audience of about 50 were a just reward for the excellent performance and commitment shown by all 8 actors over the past 10 weeks and their Director, Dave Cryer, Learning and Participation Manager at TBTL and the latest  Member of NCS.

Congratulations to our writers and a big thank you to all those at TBTL who made the event possible.

Sunday, 8 July 2018

Derwent Water Regatta - 7 & 8 July 2018

Four short plays written by Members of the North Cumbria Scriptwriters were performed this weekend by the at the National Trust's Derwent Water Regatta.

The project, entitled Connect Three was performed by the Elders' Company at Theatre by the Lake (TBTL), a band of committed, energetic, talented over 55s and directed by Dave Cryer, Learning and Participation Manager at TBTL.  The plays were:

The Jeeves and Wooster Appreciation Society by Kevan France
Martha and the Monster by Anne Ginty
Bonnets and Curls by John Ward
As Good As It Gets by Martin Chambers

All four plays will be performed in the studio at TBTL, starting at 4pm on Sunday, 15 July.  Tickets are priced £5 and available from the TBTL website using the following link:

https://www.theatrebythelake.com/production/17784/Connect-Three?startdate=2018-7-15

This collaboration has proved a successful venture - hopefully the first of many!

A BIG thank you to Dave Cryer and the Elders' Company for all their hard work over the past ten weeks.  Congratulations to our writers.

Thursday, 24 May 2018

Elders' Company Project

NCS has joined forces with the Elders' Company at Theatre by the Lake (TBTL), Keswick.  Part of a National initiative, the local company comprises a group of talented, enthusiastic actors with various levels of experience. The group is coordinated by our own Dave Cryer, Learning and Participation Manager at TBTL.

This Summer, they will perform a selection of short plays at the National Trust's Derwentwater Regatta over the weekend 7th & 8th July and, again, in the Studio at TBTL at 4pm on Sunday, 15 July.

NCS was approached in a joint venture to submit scripts for the project. Plays have been selected and workshops and rehearsals are underway!

Friday, 18 May 2018

Picture the Scene - RESULTS!

Our panel of three judges, each read all submissions and agreed a shortlist of 5 plays.  These were passed to Helen Turnbull for the final decision and, after days of reading, we can now announce the 3 winning entries:

Telling by Marilyn Messenger and Mike Smith, 

The Poet Who Painted a Picture by Tash Shaw

and

Carry On Painting by Kevan France.

CONGRATULATIONS!

These 3 winning plays will be performed in the studio at Theatre by the Lake (TBTL), Keswick at 7.30pm on Saturday, 20 October 2018 and at the Penrith Playhouse at 7.30pm on Friday, 26 October 2018.  Tickets available from:

https://www.theatrebythelake.com

http://penrithplayers.org.uk

The runners up were:

You'll Never Walk Alone by Anne Ginty

and

Many Mansions by John Scott.

Thursday, 26 April 2018

Picture the Scene

Thank you to all those who submitted scripts for the competition.  Our judges have agreed the shortlist. The 3 winning plays will be announced here as soon as a final decision has been made.

Friday, 16 February 2018

Picture the Scene - Our New Play Writing Competition

DEADLINE EXTENDED! (now 31 March 2018)

See below at Point 1 under the heading 'Submission Arrangements'

North Cumbria Scriptwriters (NCS) invites local writers to take part in our latest competition.

Writers are invited to submit a short play based around a picture.

The three winning plays will be staged in the studio at Theatre by the Lake, Keswick for one evening performance in October 2018 by local actors with local directors.

Entries that do not conform entirely with all the requirements listed in the particulars below will not be considered.

Entrants

1.  Entrants must live or work within Cumbria or have significant Cumbrian connections.

2.  Entries of a single play by two or more writers are welcome as long as this complies with all other criteria in this information.

The Play

1.  The play must be of one act, 30-35 minutes long and not previously performed.

2.  It must be suitable for acting:
  • by a maximum cast of six,
  • in conventional or traverse setting,
  • with minimal, economical and lightweight set,
  • with properties and costume implications likewise uncomplicated,
  • with straightforward lighting and sound effects.

3. There must be a very clear connection between the play and the picture.

The Picture

1.  A single picture only is permitted. It must be suitable for featuring in black-and-white format in publicity and on programmes for the performance at Theatre by the Lake (TBTL).

2.  Any form of picture, including photograph, may be used and can be the entrant’s own work.

3.  Use of the picture in publicity and outcomes of this competition must not involve NCS in any copyright or permissions issues, whether costs or negotiations.

4. NCS will be happy to feature where practicable the names and briefest contact details of artists who have waived charges for the purpose of this competition.  

Format of Scripts

In order to assist the readers who will be evaluating the entries, entrants’ scripts MUST conform to ALL of the following:

1.  Scripts must be typed on white paper in Arial font, size 12 or larger.

2.  Scripts must be double-spaced.

3.  Speaker names ranged left (not above speeches centrally).

4.  Voice- and stage-directions clearly distinguished (e.g. italic).

5.  Printing must be single-sided with pages clearly numbered, but without any running headers or footers.

6.  Include a copy of the picture at the front of the script.

7.  Scripts must not carry any identification of the writer.

Submission Arrangements

1.  The deadline for submissions is 31 March 2018.

2.  Writers should submit one play only.

3.  Three copies of your script are to be submitted to:

     Carol Donockley
     30 Knowe Park Avenue
     Stanwix
     Carlisle
     CA3 9EJ

4.  On a separate A4 sheet provide your name, title of your play, Cumbrian residential address and other contact details.

5.  On the same sheet provide a signed undertaking worded as follows:

“This script is my own original piece and I recognise that NCS has no responsibility for any copyright or permissions implications financial or otherwise in regard to the picture or to any quotations and/or music featured”.

6.  Where plays are written jointly, adapt 5 above accordingly, all writers signing the undertaking.

7.  Acknowledgement of receipt will be made only if a stamped addressed envelope or card is included.

Selection of Plays

1.  Submitted scripts will initially be read by three members of NCS, none of whom has written a piece for the competition or has any knowledge at all of any scripts entered by NCS members. They will select five plays to go forward to Conrad Lynch*, Artistic Director at TBTL. He will have been totally independent of all previous proceedings and will decide on the three plays for performance.

* to be confirmed

2.  The three successful writers will then be contacted, with their names and the titles of their plays posted on this blog. The anticipated timing for this is late May 2018.

3.  If any of the three successful scripts is subsequently withdrawn by the writer, the three NCS readers will select one of the remaining plays on the shortlist for performance instead.

4.  Decisions in all cases are final. No opportunity for discussion or correspondence will be provided.

Performance Companies and Direction

1.  NCS will actively alert known performance companies to this opportunity to perform at TBTL.  Recommendations of companies and directors from writers are welcome, whether for their own plays or more widely in this competition, but NCS must actively make the actual selection.

2.  Once the winning plays are known, NCS will confer with potential performance companies and directors, expecting decisions to be made by 30 June 2018.

Subsequent Arrangements

1.  NCS undertakes to work with local actors, directors and others to ensure their commitment to the October 2018 performance. Once plays and performance companies are known, NCS will also assess whether further performances in the community of all three plays together is practicable, promoting accordingly. In any case, further performances of individual plays locally will be encouraged.

2.  Whilst firmly intending the successful writers to have as full an opportunity as they wish in developing their plays to full production, NCS reserves the right of decision in securing the viability of this venture.


Disclaimer:  NCS reserves the right to extend or vary any of the above particulars where the potential for a successful performance at TBTL is genuinely at hazard. Reasons for any such changes will be posted promptly on our website.

Wednesday, 6 July 2016

Are you thinking of entering?

To help us in our planning, we would love to have some indication of the likely numbers of entries. If you are thinking of entering, can you please let Carol know by email, phone or post? 

carol.donockley@btinternet.com     01228 547043
Carol Donockley,
30, Knowe Park Avenue,
Stanwix,
Carlisle,
CA3 9EJ.

NB - this is in no way binding! In other words, you may decide to enter at the last minute, or you may find (having intended to enter) that your muse fails you - we've all been there.

We were hoping to provide a template of a suggested format that you could feed your script into. Unfortunately, we find we do not have the technology to do so on this blog. But if you would like a sample of an accepted format, please email conjensen@trifolium.co.uk and Connie Jensen will send you a relevant sample. You can then delete Connie's content and paste in your own.
If this last is not possible, please at least make sure that your entry is typed (i.e. not hand written), with speech and stage directions clearly distinguished, as explained in the instructions in the 'Format of Scripts' paragraph below.


Sunday, 1 May 2016

SEARCHING FOR A SCRIPTWRITER - A NEW COMPETITION



North Cumbria Scriptwriters (NCS) invites writers resident in Cumbria to take part in a competition for a play based around a poem. The three winning plays will be staged in the studio at Theatre by the Lake in April 2017 by local actors with local directors.


Information for Entrants
The play
1. Your play should be 30-35 minutes in length and must not have been previously performed.
2. It must be suitable for acting by a maximum cast of six, in traverse setting, with minimal/economical set and costume implications and with straightforward lighting and sound effects.
3. The poem around which the play is based must feature on its own as part of the envisaged performance: at the beginning or end of the piece, as preferred, or divided between the two; lasting not more than five minutes in all, with this timing to be included within the 30-35 minute overall requirement. 

The poem
1. The poem can be part of a longer piece if you wish; likewise it can be two or more shorter pieces.
2. It must not be the playwright’s own work.
3. Use of the poem in performance in this project must not involve NCS in any copyright or permissions issues, whether costs or negotiations. 

Format of scripts
1. Scripts must be typed on white paper in Arial font, size 12, double-spaced, with speaker names ranged left (not above speeches centrally) and with voice- and stage-directions clearly distinguished (e.g. italic).
2. Printing must be single-sided with pages clearly numbered, but without any running headers or footers.
3. Include the poem, with title and author given, and placed before or after (or part and part) as you intend for performance.
4. Scripts must not carry any identification of the writer.

Submission
1. The deadline for submissions is 31st August 2016.
2. Writers should submit one play only.
3. Three printed hard copies of your script are to be submitted.
4. On a separate A4 sheet, please provide your name, the title of your play, your Cumbrian residential address and other contact details, together with a signed and dated undertaking:
“Except for the poem, this play is my own original piece and I recognise that NCS has no responsibility for any copyright or permissions implications financial or otherwise in regard to the poem or to any quotations and/or music featured”.
5. Acknowledgement of receipt will be made only if a stamped addressed envelope or card is included.
6. Please send the three copies, the separate sheet and, if included, the stamped addressed envelope or card, to:
Carol Donockley,
30, Knowe Park Avenue,
Stanwix,
Carlisle,
CA3 9EJ.

Judging and selection of plays
1. Submitted scripts will initially be read by three members of NCS, none of whom has written a piece for the competition. They will select five plays to go forward to Ian Forrest, the Artistic Director of Theatre by the Lake who will have been totally independent of all previous proceedings. He will decide on the three plays for performance.
2. The three successful writers will then be contacted at once, with their names and the titles of their plays being posted also on this NCS website. The anticipated timing for this is late October 2016.
3. If any of the three successful scripts is subsequently withdrawn by the writer, the three NCS members will select one of the remaining plays on the shortlist for performance instead.
4. Decisions in all cases are final. No opportunity for discussion or correspondence will be offered.

Subsequent arrangements
1. NCS undertakes to work with local actors, directors and others to ensure their commitment to the one performance at Theatre by the Lake in April 2017. If at all practicable, repeat performances elsewhere in the county will be arranged. Involvement of the writers of the successful plays at all or any stages will be welcome.
2. The directors of the winning plays will reserve the right, in consultation with the playwrights, to amend the script where they feel it is necessary for the successful performance of the play. The director's decision will be final.



 

Friday, 4 December 2015

North Cumbria Scriptwriters' projects before 2011




2010
Dream Department Trainee, by Martin Chambers
Top of the Tree, Bottom of the Garden, by Rick Thomas
Winter Escape, by Rachael Howard
Wordsworth Hearing, Connie Jensen
Howgill, by Jen Mattinson


2009

Ten Plays for Ten Years
To mark our 10th Anniversary, we cooperated with BBC Radio Cumbria to broadcast five, five-minute radio plays written by our members plus one which was to be the winner of a public competition, judged by Radio Cumbria.
We were surprised at the number of entries and delighted with the quality of the writing, but of course there could be only one winner.
This was Mr Robert Armitage from Ambleside, with his piece, 'Cultivating Cumbria'.
We recorded this piece with the help of our friends at Radio Cumbria, for inclusion on a CD of our work. Some of the pieces were selected for broadcast on Radio Cumbria during one winter week.
Due to its success, this became an annual event until 2014. Our thanks to Radio Cumbria and to Rick Thomas for hosting the recordings.


2009 BBC 5-minute radio plays:
Crowned Heads, by Martin Chambers
Eros and the Handbag, by Julia Newsome
Fifth Dimension, by Jenny Yates
The Last Pub in England, by Rick Thomas
Supply Teacher, by Carol Donockley




2008

Write Angles
With Arts Council and Allerdale Council funding, Write Angles 2008 started as workshops with professional directors and writers, and a public competition. These led to script-in-hand performances of works in progress by our members and the competition winner. These were directed by Daniel Bye of the Silvertongue Theatre in York and our own Ian Hinde.
The scripts were read/acted by local amateur actors. The audience, actors and directors were invited to discuss each piece with a view to ways to develop it further. A format emerged and the second and third performances were arranged to include four pieces about 15 minutes long, each immediately followed by discussion. This resulted in many useful ideas and was enjoyed by all who took part.
In April and June, the performances were at Theatre by the Lake in the Studio. In November it was at the Penrith Playhouse.

Workshop 
A script-writing workshop at Bowness on Solway Literary Festival, on ways to extend a script, was also a success.

A Blessed Release
This play by Martin Chambers, was performed by the Black Sheep Theatre Group as part of the Cumbria Darma Festival 2008, on 15 March in Grange over Sands.


2003

Mighty Oak
NCS member Martin Chambers was commissioned by the Nation Trust to write a play about Hardewicke Drummond Rawnsley, one of the founders of the Nation Trust. It was performed in the open air by the Keswick Theatre Club as part of the celebrations to mark the 100th anniversary of the acquisition by the Trust of Brandlehowe Park.

Acting Workshop
Led by Stefan Escreet and held in the Studio at Theatre by the Lake, the aim was to help writers to write for performance.





North Cumbria Scriptwriters' projects 2012

Two exciting opportunities came our way in  2012:

North Cumbria Scriptwriters and Penrith Players have worked together successfully on several occasions and we were thrilled to be invited to take part in 'Penrith Players' Monologue Festival'.
The plays, entitled 'One Voice', were produced at Penrith Players' Theatre at the end of August and the festival was a great success.
Visit Penrith Players at: http://www.penrithplayers.co.uk

In 2012, the market town of Wigton celebrated the 750th anniversary of the granting of its Market Charter.
Six of our members worked together on a script covering the major events in Wigton since 1262. This was our first attempt at team writing so we had lots to learn. The project proved worthwhile and we were delighted to have the play, entitled 'The Throstle's Nest', performed by Wigton Theatre Group at the John Peel Theatre, Wigton, in June.
Visit John Peel Theatre Group at: http://www.wigtontheatre.org

As this was the first time we had worked together on a play and because we found it so rewarding, Connie thought it would be interesting to share the experience with others. Follow the link to see what she had to say: http://conswords.blogspot.co.uk


BBC Radio Cumbria 5-minute radio plays 2012

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BBC Radio Cumbria 5-minute radio plays 2013

Send me a Postcard, by Martin Chambers
Interpub Polevaulting Competition, by Rachael Howard
Increase to 40, by Stephanie Robinson
?Adam, by Charlotte Coulthard
The Old Place, by Robin Acland



BBC Radio Cumbria 5-minute radio plays 2014 (only four this time)

20 Million Eggs, by Robin Acland
Mam, by Anne Ginty
The Memorial, by Kevan France
Yellow for the Sunshine, by Stephanie Robinson




On 17th January 2014 Rick’s play ‘Death and Glory’ was performed, script in hand, by members of the cast of the Theatre by the Lake’s Christmas production of ‘Swallows and Amazons’.  

It was followed by a post reading discussion and questions from the audience.

‘Death and Glory’  tells the story of Arthur Ransome and was very well received.

Congratulations Rick!


Sophia Atcha

Following on from her success in the 24:7 Theatre Festival, Sophia was approached to write a play in three days for the Manchester Library Theatre Company, New Script Night 2013.

Sophia accepted the challenge and wrote ‘The Calling’  which was selected for reading.

‘The Calling’ was produced by Danny Stewart.
Directed by Martha Salmon and the actor was Feroza Shah.
Congratulations Sophia
We look forward to hearing more about

‘The Calling’ soon